Morehshin Allahyari (b. 1985 in Tehran, Iran) is a media artist, activist, educator, and curator. Her work extensively deals with political, social, and cultural contradictions we face every day, documenting personal and collective struggles humans face in this century. Allahyari’s Material Speculation: ISIS, a digital fabrication project by that inspects petropolitical and poetic relationships between 3D printing, oil, techno-capitalism and jihadism, reconstructs artifacts destroyed by ISIS in 2015. The project has achieved wide acclaim for proposing 3D printing technology as a tool both for resistance and documentation. Allahyari’s work has been part of numerous exhibitions, festivals, and workshops including Museum of Contemporary Art in Montreal, Pori Museum, Dallas Museum of Art, Museo Ex-Teresa Arte Actual, Contemporary Arts Museum of Houston, Museum für Angewandte Kunst, and Material Mexico City. She has been an artist in residence at CMU STUDIO for Creative Inquiry (2015), Autodesk Pier9 Workshop in San Francisco (2015), and BANFF Centre (2013), among others. Allahyari’s work has been featured in NY Times, Huffington Post, Wired, NPR, VICE, Parkett Art Magazine, Rhizome, Hyperallergic, Dazed Digital, Neural Magazine, Global Voices Online, and Al Jazeera among others. Morehshin is the Co-Founder of the Experimental Research Lab at Pier9/Autodesk.


Forthcoming June 2017
, Rose