exhibition announcements

Morgan Buck: Goggles Glazed Over opens First Thursday in the backroom

Morgan Buck,  Puppies Want to Play? , 2018, acrylic on canvas, 64 x 42 inches. Photo by Jason Horvath, courtesy the artist.

Morgan Buck, Puppies Want to Play?, 2018, acrylic on canvas, 64 x 42 inches. Photo by Jason Horvath, courtesy the artist.

Backroom exhibition:
Morgan Buck
Goggles Glazed Over

First Thursday opening February 7, 6:00 – 8:00pm (artist present)

Portland-based painter Morgan Buck distorts and blurs images culled from the web using a smartphone's panorama photo feature and a handheld magnifier, before carefully translating the results in airbrushed paint. This process removes digital signifiers like pixelation and glitches, leaving viewers with a generatively produced work that appears, in his words, "indistinguishable from a genuine work of imaginative thought."

Paintings in Julie Green's Food, Fashion and Capital Punishment include hidden content

Paintings in Julie Green's Food, Fashion and Capital Punishment include hidden content

Julie Green embeds narrative details, easily missed in a cursory look, in or near the borders of each painting. Each also has content not readily visible in the gallery setting: on the front, elements in glow in the dark paint; on the back, facsimiles of women's fingerprints. Once charged in daylight, the glow-in-the-dark paint shines all night long.

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The Armory Show preview: Morehshin Allahyari, Booth F12

The Armory Show preview: Morehshin Allahyari, Booth F12

Morehshin Allahyari’s She Who Sees The Unknown recontextualizes goddesses and female Jinn of Persian and Arabic origin. Using scanning, 3D printing, video and archiving as tools of investigation, the artist explores ancient myths as they relate to digital colonialism, oppression and catastrophe.

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